CLIFF MAY: ARCHITECT [EXPANDED]

Living in California has convinced me that the most interesting parts of a modern house are the roof and the patio. Get the roof right and the design of the home under it just follows naturally...or at least it seems that way when the architect is Cliff May.

May was known as the inventor of the modern ranch house. It's a style that combines cowboy ranch hand and Wright-style modernism with traditional Japanese, Mexican and Mediterranean styles. May was largely self-taught so he disregarded orthodoxy and just combined elements he liked.

Here's (above) a small Cliff May courtyard. He could have paved it with grass or gravel but he gave it a smooth, hard, light-colored surface similar to the one inside the house. That makes the courtyard an extension of the living room, following Frank Lloyd Wright's dictum: "bring the outside in and the inside out."

 Wow! A sort of indoor picnic table (above)! I like to spread out when I work so this would make a perfect working space for me, and with the substitution of chairs for the benches, it's also a perfect dining table.

BTW, how do you like the dynamic sweep of this room? It's so cheerful, so optimistic, so American in the best sense of the word.

May wrestled with modernism and made it cozy. I can't stand the depressing factory-style modernism that we associate with Bauhaus. This (above) is modernism done right.

May was a developer as well as an architect and he tried to bring low cost modernism within the reach of the common working man. For that he had to rely on prefab parts but that proved to be difficult because, as a pioneer, he was the only buyer and couldn't benefit adequately from economies of scale. Not only that but different suppliers worked to different standards. Some nearly went broke and May had to start a loan business to keep them afloat. The projects put grey hairs on May and were reportedly "not fun."

May's reward for his labors was Mandalay, a home he designed for himself near his favorite city, Los Angeles. The house was mostly demolished by a new owner but bits of the old structure remain. Here's (above) a picture of May's interior court yard which contains some of his books.

Nifty, eh? Why isn't May better known?

BTW: A friend expressed no interest in May and said he didn't see what was so special about him. I was astonished. For his sake I'll put up a couple of examples (below) of how other lesser architects handled the modern ranch idea.

Here's (above) one example: it's not horrible but it's modern only to cash in on a trend. There's no philosophy here, no awareness of how a space can be enclosed in an exciting and stimulating way.

 Here's (above) squares with built-in awnings (Yawn!). Once again, it's modern just to cash in on a trend. This architect was told that large windows and plain, flat walls are the latest thing so that's what he did. Cliff May, on the other hand, started with a question: "How can I excite the person who lives here? How can I challenge him to be a better man?

Okay, 'nuff said.

REAL CLIFF STERRET FURNITURE!

I don't know how many times I've heard cartoonists say that they wish they could live in a Cliff Sterret house. That's Cliff Sterret's work above, and I too would like to have a house (or at least a room) furnished like that. Come to think of it, I almost did.

In the early 80s there was a serious attempt to sell Cliff Sterret-type furniture. It started with a design studio in Milan called "Memphis," headed up by Ettore Sottsass. That's his studio's work above. Not everything in the photo is his best work, but you get the idea.

I remember thinking at the time that this comic-strip furniture wouldn't last forever, and that I'd better buy some stuff before it disappeared. Real Memphis furniture was out of my price range so I waited for cheaper knockoffs, but when they came the quality was lacking. Not only that but Memphis didn't always hit home runs. I kept waiting for knock-offs of the better works but they were a long time coming. Memphis took a big hit because of the timidity of furniture manufacturers, and Memphis's distaste for comfortable furniture.  

The Sterret influence was obvious to cartoonists, but I don't remember any art critic pointing it out. Critics were probably ignorant of cartoon styles. 

Try to deny that this vase (above) was influenced by Sterret!

Here's (above) some Memphis teapots. In this case the influence was probably Picasso or Picabia. It's funny how teapots are always on the front line of new design movements. I guess prototype ceramic pots are easier to make than steal cutlery.

This is my favorite Memphis design...the futuristic antler bookshelf painted with kid colors. I'd still like to have a shelf like this.

This sofa (above) would look great in a comic strip. I wonder why no newspaper artist of the 1980s  attempted to parody modern furniture styling in a strip. I mean parody it the way Sterret used to. Of course by the 80s the newspaper strips were almost as tiny as they are now. Maybe there was no room. 

Also, it looks like the sofa is made of cheap plywood with fabric stapled onto foam. Memphis had good ideas but you get the feeling that no one with real furniture know-how worked there. 

The designer of this table (above) must have channeled Sterret!

Sterret liked to design the patterns in draperies and chair covers, and so did Memphis. That's their work above.

Like I said, Memphis didn't always hit home runs. The chair above looks pretty uncomfortable. It would have looked great in a comic strip or a cartoon, though! 

WHAT KIND OF LIVING ROOM?

What kind of living room do you prefer? Me, I like ones with lots of light, like the one designed by Carl Larsson above. Actually, my source might have mislabeled this picture. It looks more like a sewing room to me, but its nice and cheery, and there are elements that would be nice in a living room. Click to enlarge.

Amazingly, after decades of modernism the classic American living room (above) still holds up as an ideal.  The problem is that this was created for the kind of tasteful New England interiors they were building in 1920, and it looks a little out of place in most modern houses.

 


Some people (above) should have their license to decorate revoked. Really, if you can't do it yourself you should plead with a friend to help you out. 

Maybe more chords would help.

Here's (above) a sculptor's living room. The furniture is islands of marble and there's a forest of tall, awkward sculptures. It's completely impractical, but I like the idea of a house that reflects the vocation of the owner.  One kind of house for the accountant and the blacksmith is tyranny.

Yikes! A modernist nightmare (above)! I'd go nuts if I had to live there.

Funny living rooms (above) are seldom comfortable.

Sometimes people's hobbies (above) dominate the room.

Am I imagining it, or are living rooms dwindling in significance these days? Nowadays living rooms are often showcase rooms and the real action takes place elsewhere, in the rec rooms and kitchens. Some people have even converted their living rooms into offices. 

Some living rooms are absurdly small now.

On the other hand, kitchens have grown enormously. They're cozy, social spaces now.  The kitchens shown above and below belonged to the sculptor, Alexander Calder.

This wall in Calder's kitchen looks like it's hewn out of rock, but I'll bet it's plaster or stucco.

Eames, the designer, favored the austere living room shown above. You can't get much more minimal than that. I think Steve Job's house was like this.

Here's (above) another view of the same room. The sofa is pushed out of the way by a big, wooden slab. I guess Eames liked slabs.

Most hippies had little use for living rooms. Sometimes they didn't even furnish them. For hippies, the important thing was the bedroom, and above all, the sacred water bed.

The exception was rich hippie futurists who were partial to fuzzy living rooms with soft, rounded edges. 

Come to think of it, hippie musicians liked living rooms, too. The rooms were dimly lit and had lots of funny furnishings. 

The last living room I saw and liked was the one in Woody Allen's "Play It Again, Sam." It recently played on the Turner channel. It was funky, but seemed like the kind of place where memorable events would happen.